Under-exposure latitude bottoms out at a respectable two stops under, but its over-exposure latitude can reach beyond even four or five stops over. 400 speed color negative film usually finds its sweet spot at golden hour, but Pro 400H’s latitude increases its effective range to include broad daylight scenes and indoor lighting situations. The wide exposure latitude afforded by Fuji Pro 400H makes this sharpness and resolution available in almost any lighting situation. In medium format this film becomes even more impressive – the film takes on a silky-smooth, ultra high resolution look that represents the best of modern film photography. Making landscapes and shooting general travel photography is a particular pleasure owing to the film’s surprising resolution, and becomes a powerful tool when paired with ultra-sharp lenses like the Minolta 40mm f/2 Rokkor in M-mount or the Nikkor 105mm f/2.5. In practice, the film performs incredibly well – the finer grain results in a kind of sharpness and resolution normally reserved for slower films. It’s nothing we haven’t already heard of, but still represents the cream of the crop when it comes to modern color negative emulsions. It boasts an incredibly wide exposure latitude, extraordinarily fine grain, and a true-to-life color palette. It’s a step above Fuji’s consumer Superia line, as well as a direct competitor to Kodak’s Portra 400 emulsion. Pro 400H is one of the most versatile color films on the market, but it only seems to be used to achieve one look.įujifilm Pro 400H is a 400 speed color negative film meant for professional use in 35mm and medium format cameras. I mention this because Fujifilm Fujicolor Pro 400H is in some ways a victim of its own surface-level “aesthetic.” Its aesthetic is, like the word itself, one that has been used so much that it has become a caricature of itself. Through overuse, the word “aesthetic” has become the internet’s version of inane business park buzzwords like “synergy” and “ideate.” I’ve seen the word used to describe everything from 1980s Miami Vice-esque graphic design, to “on brand” instagram accounts, with little consistency in its application. It’s a word historically reserved for hoity-toity philosophical writings, yet it’s somehow found its way into the general parlance.ĭon’t get me wrong, I’m all for expanding vocabulary, but the current use of the word “aesthetic” is specious at best. But certain annoying trends make me develop a Clint Eastwood-esque scowl. I really don’t like being the “get off my lawn” guy. But I’ve got to get something off my chest first. I’m going to talk about Fujifilm’s Fujicolor Pro 400H, Fuji’s pro-level color negative film.
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